To Be Alone Together

A large circular shape fills this piece. It looks like a water droplet has evaporated leaves white fuzzy rings behind on an indigo background.

Leo Kenney, A Breath of Light, 1968, Gouache on Chinese paper, 19.125" x 16.125"
1998.068.001, MoNA, gift of Stephen Joseph Estate

Exhibition Date: October 4, 2014 - January 4, 2015
Reception Date: Saturday, October 4, 2014 - 2:00pm

Curator(s): Shelly Leavens & Emma Jane Levitt

To Be Alone Together is an exhibition co-curated by artist Emma Jane Levitt and curator Shelly Leavens, through the Dana and Toni Ann Rust Curatorial Fellowship at MoNA. The exhibition pairs eleven contemporary Northwest artists with eleven works from the MoNA's permanent collection. The contemporary artists will be asked to respond to a chosen piece in the collection and to create new work based on that response. The primary goal of To Be Alone Together is to connect contemporary artists across disciplines with MoNA’s permanent collection in a way that creates a dialog with the past and leaves room for the unknown. The exhibition will look closely at the ways in which both the ephemeral and the tangible experiences of living in a particular place have and continue to influence communities of artists. The exhibit will explore the creative capacity of this legacy and its future by providing the opportunity for a multi-modal dialogue on our shared light, landscape, character and community.

Two vague figures sketched in fuzzy ink comfort each other in their grief.

Mark Tobey, Etudes d'Apres Nature, c. 1933-34, Ink on wet paper, 10.5" x 8.25" (Reproduced lithographs from original Japan series)
1996.009.045, MoNA, gift of John Hauberg and Anne Gould Hauberg

Artworks chosen for To Be Alone Together from the MoNA collection were selected on the basis of three ideas: light, solitude and community, which the curators find to be prevailing themes in the philosophy and process of historical and contemporary Northwest artists. As opposing as the latter two themes are semantically, artists in the Northwest seek both in equal amounts. To Be Alone Together uses a cross-disciplinary approach to pairing the collection works and the contemporary artists because it allows for artists to experiment with a new approach if they so choose, and it develops the artist’s understanding of a disparate process.

Concentric wooden rings rest inside a rectangular wooden sculpture.

Doris Chase, Ad Lib Moon, 1966, Wood (oak) (five parts), 5.675" x 8" x 4"
2001.071.002, MoNA, gift of Deloris Tarzan Ament

Like the vast tide flats and fields of the Skagit Valley and the meandering sloughs that run through them, there is an open willfulness to the Northwest artist community and a continuity in the iconic light of sky and water that seeps its way into artists’ work. To Be Alone Together will visually mimic this concept as well as provide a vehicle for contemporary artists willing to engage with the past. The project will be a path for artists to engage with community, yet take time in the studio or landscape to create new work and take risks.

Mottled greys and blues and green fill a canvas in this abstract landscape.

Wesley Wehr, Clallam, 1971, Mixed media: paint and crayon, 2.5" x 2.5" (image)
1981.002.010, MoNA, gift of Dr. and Mrs. Fritzsche Ulrich

A yellow sky with a white sun. A bright circular light is eclipsed by a darker yellow circle. A dark, black trapezoid fills the bottom left corner.

Clayton James, Yellow Night, 1961, Acrylic on canvas, 38.25" x 67.375"
2001.108.005, MoNA, gift of Phyllis D. Massar

Three swimmers are delineated in black and white striped silhouette against a field of black and white.

Michael Spafford, Three Swimmers No. 1, 1977, Woodblock print 11" x 15"
2006.159.074, MoNA, gift of Ronald D. Childers and Richard M. Proctor

Fuzzy ink dried on wet paper to form a figure standing, bowing their head with palms together.

Mark Tobey, Etudes d'Apres Nature, c. 1933-34, Ink on wet paper, 10.25" x 8.25" (Reproduced lithographs from original Japan series)
1996.009.047, MoNA, gift of John Hauberg and Anne Gould Hauberg

A photographer takes a black and white picture of herself in the mirror with a film camera. She carries a bag and pockets off of her belt, weighted down with items.

Mary Randlett, Self Portrait, September 1988, Black and white photograph, 17” x 13”
2011.282.082, MoNA, gift of Steve Lindstrom and Sue Ponsteen, Gallery Cygnus, and Mary Randlett

Torn paper in worn colors rest against each other, each filled with texture variations.

Paul Horiuchi, The Eye Beholds Autumn, 1962, Color collage, 52.25" x 41.5"
1999.059.003, MoNA, bequest of James Odlin

Black fuzzy ink marks out a reclined nude figure with knees in the air. They have a peaceful expression.

Mark Tobey, Etudes d'Apres Nature, c. 1933-34, Ink on wet paper, 10.25" x 8.25" (Reproduced lithographs from original Japan series)
1996.009.042, MoNA, gift of John Hauberg and Anne Gould Hauberg

A thin glass sculpture in translucent green and black tips.

Jeremy Lepisto, Drawn Conclusion, 2004, Kilnformed glass, 35" x 4" x 1"
2004.143.001, MoNA, gift of the artist and William Traver Gallery, Tacoma

Light pastels in hazy greens horizontally stripe against a white background.

Norie Sato, Edged Out, 1982, Lithograph, 26" x 36" (9/40 edition from a set printed by Dwight Coburn)
2006.160.025, MoNA, Joan Raphael Greathouse, Sandar Raphael Warshal and Roberta Lee McMahan

A crouched figure fills this illustration, resting their head on a knee.

Mark Tobey, Etudes d'Apres Nature, c. 1933-34, Ink on wet paper, 10.25" x 8.25" (Reproduced lithographs from original Japan series)
1996.009.046, MoNA, gift of John Hauberg and Anne Gould Hauberg

Artists: Nathan Braunfeld, Paul Horiuchi; Emily Gherard, Mark Tobey; Aaron Haba, Clayton James; Allyson Klutenkamper, Mary Randlett; Paul Komada, Doris Chase; Emma Jane Levitt, Jeremy Lepisto; Tomo Nakayama, Leo Kenney; Wendy Orville, Norie Sato; Michelle Peñaloza, Barbara Straker James; Clyde Petersen, Wesley Wehr; Joe Freeman, Michael Spafford